璞園天玉

璞園天玉，延續了現代主義的理念，以簡潔線條與大面積玻璃取代繁複裝飾，讓建築本身回歸比例、結構與光影的純粹表達。

然而，它不只是冰冷的幾何體。向上揚起的屋頂造型，如同船首般高高指向天空，為建築增添了象徵性，成為街角上的視覺焦點。木質的運用，為冷冽的造型增添了幾分溫潤，與玻璃帷幕的通透形成對比。當夜晚燈光由內向外散發，建築彷彿一艘準備啟航的船，靜靜停泊於城市之中。

現代主義不再只是設計語言，而是一種設計態度：以秩序與光影構築純粹，透過象徵性的船首造型，讓建築展現動態與前行的力量。它既是在地的街角建築，也是一個更是一個指引方向、承載在時代精神的亮點。

Puyuan Tianyu continues the modernist tradition: clean lines and large panes of glass replace ornate detailing, allowing the building to return to a pure expression of proportion, structure and the play of light and shadow.

Yet it is not a cold geometric object. The roof, lifted upward like a ship’s prow, points to the sky and imbues the building with symbolic presence, becoming a visual landmark on the street corner. Timber softens the austere form with tactile warmth and contrasts the transparency of the glass curtain wall. At night, as light radiates outward, the building reads like a vessel ready to set sail, quietly moored within the city.

Modernism here is more than a design language — it is an attitude: ordering space and light to achieve purity, and using the symbolic prow to convey dynamism and forward momentum. It is both a local corner building and a beacon that signals direction and carries the spirit of its time.