《When Impressionism Meets Architecture: A Dialogue Between Fleeting Aesthetics and Space》

Infusing the Fluidity of Impressionism into Spatial Experiences

當印象派遇見建築：瞬間美學與空間的對話

將印象派的流動性融入空間體驗

In the late 19th century, as Impressionist painters captured the fleeting play of light along the banks of the Seine, they likely never imagined that their obsession with “the moment” and “movement” would one day influence architecture.

19世紀末，當印象派畫家在塞納河畔捕捉瞬息萬變的光影時，他們或許不曾想到，這種對「瞬間」與「流動」的執著追求，正悄悄影響著至今的建築。

無影教堂，坐落於花田中的現代光影建築裝置，透過白色金屬立柱營造輕盈透視感，夕陽餘暉下如同漂浮的教堂意象 — Shadowless Church，Atelier Shanghai Dachuan Architects

In Impressionism, the term “impression” refers to the immediate sensation of light, color, and atmosphere—a direct emotional and visual response to the present moment. It is not necessarily tied to recognizable objects but is instead driven by what is seen and felt, stirring the senses in real time.

印象派中的「印象」，意指對當下光影、色彩、氣氛的直接感受，是一種即時的視覺與情緒捕捉。它不一定有具體聯想物，而是「所見即所感，為當下的感官所打動」。

無影教堂的白色金屬立柱細節特寫，展現現代建築裝置的層層堆疊與光影透視效果 — Shadowless Church，Atelier Shanghai Dachuan Architects

巴黎證券交易所，古典圓頂與現代混凝土展覽空間的融合，光影映照室內壁畫與圓頂 — La Bourse de Commerce，Tadao Ando Architect & Associates + NeM Architectes + Pierre-Antoine Gatier

Just as Impressionist painters treated light as the source of color, modern architects have begun to explore the relationship between architecture and natural light. Through this exploration, light has infused architectural spaces with emotional warmth and depth.

正如印象派畫家將光線視為色彩的源泉，現代建築師開始在設計中考慮建築與自然光的關係，自此建築空間因光線的介入而獲得了情感的溫度。

勒·柯比意的作品薩伏伊別墅，現代主義住宅屋頂花園，白色建築結構與天空、植栽相互呼應 — Villa Savoye，Le Corbusier

Le Corbusier’s concept of the “Promenade Architecturale” expresses this very idea—the experience of architecture through movement, vision, and perception. It suggests that architecture should not be a static object but a space to be discovered and felt through motion.

勒·柯比意所提出的「建築漫步」是一種關於人在建築中如何「行走、觀看、感知」的設計理念。它強調建築不該只是靜止的物件，而是應在移動中被體驗的空間。

公共裝置藝術《Non-Sign II》，線條交錯構成方框造型，兩人步行穿越 — Non-Sign II，Lead Pencil Studio

公共裝置藝術《Non-Sign II》細節，金屬線結構交錯形成輕盈雕塑感 — Non-Sign II，Lead Pencil Studio

公共裝置藝術《Maryhill Double》荒野丘陵中的現代裝置藝術建築，金屬框架在夕陽下閃爍光芒 — Maryhill Double，Lead Pencil Studio

Innovation does not emerge from thin air. It is born from deep historical understanding and thoughtful reinterpretation. When we grasp how Impressionism transformed the way people perceive beauty, we gain the insight needed to create architecture that is both culturally resonant and deeply relevant to contemporary life.

創新不是憑空而來的靈感，而是在深厚的歷史理解基礎上的突破與重構。當我們理解了印象派如何改變人們對美的認知，我們就能更好地創造出既有文化深度、又符合當代需求的建築作品。

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