《建築，不說話 卻讓人動容？》
Architecture that doesn't speak, but moves?
Exploring the most fascinating and elusive ‘immersion’ in architectural design
探索建築設計中最迷人也最難以捉摸的「沉浸感」
Casa Batlló，西班牙
In the language of architecture, there is a kind of design that does not pursue superficial splendor, but silently guides people's emotions and sensory experience. The angle of light, the touch of materials, the reflection of sound and the flow of air ...... These elements may seem subtle, but they are fundamental to the soul of a space.
在建築的語言裡，有一種設計不追求表面的華麗，而是默默引導人的情緒與感官體驗。光線的角度、材質的觸感、聲音的反射與空氣的流動……這些元素看似細微，卻是構成空間靈魂的根本。
GUGGENHEIM MUSEUM DESIGN PROPOSAL，MAUD
Modern space design is no longer just about satisfying functional needs, but also about bringing deeper feelings to people's hearts. As designers, our role is not only to solve problems, but also to make the space actively infect people's emotions through design techniques.
In the World Expo, the building is no longer just a container for the exhibits, it is a designed experience.
現代空間設計，已不再只為滿足功能需求，更強調能否帶給人內心更深刻的感受。作為設計者，我們的角色不只是解題，更是透過設計手法讓空間能主動感染人們的情緒。
在世界博覽會中，建築不再只是承載展品的容器，它本身就是一場被設計過的體驗。
西班牙館（2010，上海世博會）
Light and shadow are the most gentle yet powerful language in architecture.
The Spanish Pavilion at the 2010 Shanghai World Expo uses natural rattan as the skin of the building, allowing light to flow in naturally during the day and creating a delicate art of light and shadow at night, just like being in a forest of light and shadow.
其中光與影，是建築裡最溫柔卻最有力量的語言。
一道精心設計的光線或陰影，便能喚起不同的情感。2010年上海世博的西班牙館，以天然藤條作為建築表皮，白天讓光線自然流入，夜晚形成細緻的光影藝術，宛如置身光影之林。
阿聯酋館（2020，杜拜世博會）
The sense of dynamism in architecture does not mean that the building actually moves, but rather that the design creates visual changes and interactions.
the UAE Pavilion at Expo 2020 in Dubai utilizes bionics to design a movable façade that mimics the spreading of a falcon's wings, which allows the user to experience the surprise and change that the building brings in movement.
建築的動態感，並非指建築實際移動，而是透過設計創造視覺上的變化與互動。2020年杜拜世博的阿聯酋館，運用仿生學，設計出模仿獵鷹展翅的可動式建築立面，讓使用者在移動中體驗建築帶來的驚喜與變化。
芬蘭館（2020，杜拜世博會）
芬蘭館（2020，杜拜世博會）
Space itself has no emotion, but design can give it warmth and atmosphere. Finland Pavilion's pure white minimalist curved architecture and soft, non-sharp angle design create a quiet, gentle space feeling, as if in the quietness of a snowy Scandinavian land, allowing people to feel the warmth and stability of being “embraced by the space”.
空間本身沒有情緒，但設計卻能賦予它溫度與氛圍。芬蘭館以純白極簡的曲面建築，柔和無銳角設計，創造一種安靜、溫柔的空間感受，彷彿置身北歐雪地的靜謐，讓人感受到「被空間擁抱」的溫暖與安定。
芬蘭館（2020，杜拜世博會）
AI生成示意
Have you ever walked into a space and felt as if time had stood still and you just wanted to stay a moment longer?
Perhaps that is the most touching magic of architecture. Design is not only about visual tension, it is also a kind of emotional vessel designed for people. When design becomes a catalyst of feelings, every space can have its own soul, and people are no longer just users, but travelers immersed in it.
你曾走進某個空間，彷彿時間靜止，只想多停留片刻嗎？
也許，那正是建築最動人的魔法。設計，不只在於視覺的張力，它更是一種為人設計的情感器皿。當設計成為感受的觸媒，每一個空間，便能擁有屬於它自己的靈魂，而人，也不再只是使用者，而是沉浸其中的旅者。
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